Call of Duty is where it all started. Military bots, recognizable characters, an audience that already knows the universes and is ready to dive into new stories. Working within a familiar fandom is convenient — less time spent on explanations, more time left for character work and dialogue.

But she don't want to lock herself into just one universe. The plan is to explore characters from visual novels, and eventually move on to original stories of her own.

Comedy, dark romance, horror, wholesome stories, military plots — the portfolio has it all. But the easiest stories to write are the ones with heavy themes: addiction, psychological push-and-pull, morally questionable situations.

The bots never come out half-baked. At least 3–4 days go into each one, but there are also long breaks that stretch for weeks or even months — moments when a crisis hits, along with the fear that the next one won't be as good as the last. That doesn't stop her from keeping the bar equally high for both her own ideas and subscriber requests.

Comments and audience support are the main driving force. When someone leaves a warm review or shares their thoughts, it genuinely touches Pierra and helps keep herself from abandoning the creative process. Over the past six months, the audience has grown noticeably, and a lot of that is thanks to the live feedback that comes after every release.