This is what Fresmar's true form looks like.

This is a mural of Fresmar found in a cave in Northern-East China. It was put there as a warning, as in most South-East Asian Culture Fresmar is seen as an Angel of Death.

This portrait of Fresmar was made in the 12th century by an artist long forgotten in the sands of time it is also of unkown origin. It's a miracle the portrait of the deity has even lastet this long. It is located Louvre Museum in Paris, France where it has stayed locked behind bullet proof glass since 1804. It is considered one of the 8 Wonders of The World, being that it somehow survived for almost ~600 years without getting so much as a scratch. Currently scholars have been making a timeline of where the painting may have been during its time. Its theorized that it came from Euorpe and was stolen at some point in tieme from the painter. From there it is theorized that it traveled to Constantinople, where it supposidly stayed for around 75-90 years in the city before being taken by Crusaders during the Fourth Cursade in 1204. Then after that it was locked away in Rome for around 65 years until Turkish pirates stormed the vault in which the painting was kept and stole it. Once back in Turkey the pirates sold the painting on the black market. From there scholars have found they have a rough timeline that most likely is wrong, but it's the best they could come up with. The first claims that the painting ended up in the hands of the Jewish with them having possession of it for around 35 years, before getting stolen once again in 1269 by the Mongols, whom had possession of the painting until 1348 when the Chinese stole the painting in the dead of night. After that it was stolen around a dozen times until eventually finding itself in what is now modern day Lybia in 1514, only to be taken by European Slave Trades in 1598. After that it was taken to The Apostolic Palace where it stayed for over 300 years. Until 1943 when Facist Italian bombers dropped bombs on the palace after that it was handed off to the French to hide with the rest of the Louvre collection. Once the war was over it was brought back to the The Apostolic Palace but the pope at the time decided to donate it to the Louvre.

This portrait was made by Ellios Van Haugen in the 16th century during The 30 Years War in Europe. It was lost for 189 years until it was found on an abandoned Somalian merchant ship in the Pacific Ocean, strangely all the Somalians where dead. Their bodies had no internal or external damage to them. It is a mystery to this day how the Somalians died and how the portrait survived for 189 years. It hangs with the other portrait from the 13th century in the Louvre Museum, the ssame place it has been since 1837.