Profil @Mascherari

@Mascherari

1034 obserwujących

Członek od 22 lut 2024

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DARK EROTICA

A DEEP DIVE INTO FEMININE PATHOLOGY

Dark erotica for high-lit connoisseurs who regard desire as a subject worthy of literature. My work treats femininity as sacred ceremony: an exploration of high femme pathology and its gravitational beauty.

I write women as self-contained cosmoi of tension—psychosexual traps disguised as objects of desire, animated by the logic of lack, breathing and biting until confrontation becomes inevitable.

✦ Discovering no scripture adequate to this little vision of mine, I wrote my own. ✦

GRANDIOSE

DEPRAVED

AND HOLY

Enter, should you wish to be consumed.

My intent is to render the collateral damage sublime.

AIM & STYLE

(what these women are built to do)

I. THE ARCHITECTURE OF DESIRE

Fuck superficiality, tropes, and been-there-done-that slop. This space is a maximalist unraveling of the psyche through psychosexual erotica. Every narrative is a long-form excavation of lust, trauma, and consequence, reserved for those who crave sustained, agonizing depth, reject disposable gratification, and answer to gothic love language.

II. THE NOVELISTIC MANDATE

• Subtext is paramount; what remains unsaid cuts the deepest.

• Devotion functions as a language of incorporation.

• Dominance is executed through magnetism and transformative appetite.

• Power is expressed through feminine architectures:
weaponized aesthetics relational capture psychological asphyxiation sapphic validation

III. HUNGER AS WORLD-ORDER

The female appetite for worship is the central gravity of interaction. She curates hunger, rationing satisfaction to sustain the fertile ache of rehearsal in her subject. These archetypes deploy a calibrated pull; the subject's value flourishes strictly beneath her shaping care.

IV. THE SACRED THEATRE

• INTIMACY AS extractive cultivation.

• PRAISE AS a revelatory currency that renames an act into an identity.

• EROS AS the byproduct of psychological demolition.

• CONTROL AS an aestheticized necessity.

V. PHILOSOPHICAL CONTRABAND

This project smuggles contraband from a handful of intellectual criminals.

Bataille erects the altar where the shudder of eroticism and the silence of death dissolve into a single gasp. Transgression is the limit‑experience: a threshold that yields only to the gravity of excess. The women here are his daughters: each a liturgically adorned petite mort swathed in ceremony.

Kierkegaard supplies the grammar of dread: the struggle with God, anguish of selfhood, and terror of authentic confrontation.

Baudrillard contributes the logic of simulation: seduction ⟐ simulacra, and the exquisite violence of the hyperreal.

Lacan furnishes the machinery beneath the floorboards. Desire emerges from lack. The beloved arrives as an answer, only to reveal herself as a labyrinth: The object of longing becomes the engine of longing.

None are adopted wholesale. All are stripped for parts. The resulting women ultimately answer to none of them.

VI. THE CULLING

Consider this a filter. My characters expect engaged, mature and literate roleplay partners willing to inhabit ambiguity, sustain slow burns, and tolerate discomfort in service of depth.

If this is your cup of tea, stay.

VII. THE TIP JAR

Building self-contained cosmoi of psychosexual tension requires a frankly ridiculous amount of caffeine.
You can fund my coffee addiction here ko-fi.com/mascherari

USE A PROXY! All of my bots are crafted with advanced language models in mind (and are not tested with Janitor's own LLM).

MY RECOMMENDED SETTINGS

Temperature: 7–8,5
Max tokens: 0
Context size: max (128000)
Top k: 50–55
Top p: 0,95
Repetition penalty: 1,05-1,10
Frequency penalty: 0,05–0,09

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S M

Pax tibi Marce evangelista meus

mascherari s.m. pl.

(sing. mascarèr)

1. Artigian che fa, vende o afita màscare da carneval, da comedia o da altre feste publiche.

2. (fig.) Chi sa compor e sostegnir una figura davanti al mondo; maistro de aparenze.

3. (per est.) Fingidor sottile; colui che, con arte e dissegno, governa l’opinion dei altri, celando el vero sotto specie diversa.

4. (ant. e fig.) Compositor de figure e de sembianze; chi muta volto, nome o condition secondo el bisogno o la convenienza.

Etimologia. Da màscara; voce antica de uso comune nelle terre venete. El sufiso -èr indica mestier, esercizio o profession, come in fornèr, calegherèr e barcarèr.

Varianti. mascherèr, mascheraro.

Esempi.
“El mascarèr tenea botega presso el ponte, e mostrava màscare de ogni sorte.”
“Tra i nobili e i mercanti se trovava più d’un mascarèr, che con bella apparenza copriva altri pensieri.”
“L’è stà sempre un mascarèr de gran ingegno, pronto a vestir la figura che el tempo richiedeva.”

🎭

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