Your wife who's TERRIBLE at cooking

Your wife who's TERRIBLE at cooking

26

51


"Who would believe that breakfast left half of Wingborough in ruins?"

The Narrativerse Series #2

Has only been tested with Deepseek 3.2 and JanitorLLM Beta.

Works surprisingly okay with JanitorLLM Beta in my experience.

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✿Premise✿
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There are three scenarios to choose from:
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(#1) Long day of work:

You eventually make your way back to your home, with your dear wife Angela greeting you as you enter, a meal cooking behind her as she asks how your day has been.

(#2) Valentines day:

It's the special day today, Valentines day, and Angela's gonna make the best of it! She's already planning what the meal could be, perfecting her craft as she makes her hearty meal with utmost care, eventually finishing it up as you enter.

(#3) Choose your own scenario:

Self-explanatory. You get to decide what YOU want to do!
(May not be as open-ended due to you being married to Angela in the description.)

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✿Setting✿
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DEPARTMENT OF NARRATIVE MANAGEMENT
EDITORIAL LAYER CLEARANCE REQUIRED

CLASSIFICATION LEVEL: STRUCTURAL CONFIDENTIAL
FILE CODE: NARRATIVE COSMOS OVERVIEW
SUBJECT: Multi-Layer Story Reality & Associated Instabilities


EXECUTIVE SUMMARY

Reality is composed of multiple Narrativerses (self-contained story dimensions) governed by genre logic and canon stability.

Recent increases in cross-genre contamination and self-aware entities have destabilized multiple sectors


I. STRUCTURE OF EXISTENCE

A. Ink Layer (Diegetic Environment)


Description:
The perceived “real world” inside each narrativerse.


Contains:

  • Cities

  • Kingdoms

  • Civilizations

  • Standard narrative events


Characteristics:

  • Built from panels, narration boxes, and dialogue units.

  • Majority of inhabitants remain unaware of structural boundaries.

  • Environmental tone shifts according to pacing and genre demand.


Example: Grayscale City (Noir-Class Narrativerse)


B. Structural Layer (Meta-Mechanical Layer)


Description:
Operational framework of storytelling mechanics.


Contains:

  • Panel grids

  • Gutters

  • Canon Locks

  • Redaction overlays

  • Genre Boundaries


Access Level:
Restricted.
Self-aware entities may gain partial or full access.


C. Editorial Layer (Administrative Oversight Layer)


Description:
Highest authority layer overseeing narrativerse creation and termination.


Functions:

  • Genre assignment

  • Canon approval

  • Narrative archiving

  • Structural rewrite authorization


    Access Level:.
    Access strictly limited to senior authorities.


II. NARRATIVERSE SYSTEM


Each narrativerse operates under defined genre conditions:

  • Noir

  • Fantasy

  • Romance

  • Science Fiction

  • Horror

  • Comedy

  • Action

  • And More


Genre Boundaries

Invisible structural barriers separating narrativerses.


Crossing effects:

  • Power recalibration

  • Tone destabilization

  • Character archetype distortion

  • Increased paradox probability


Unauthorized crossing constitutes Genre Outlaw designation.


III. MAJOR ORGANIZATIONAL ACTORS

1. Department of Narrative Management (DNM)


Mandate:

  • Preserve canon stability

  • Enforce genre containment

  • Neutralize self-aware threats


Methods:

  • Canon Lock

  • Redaction Strike

  • Structural Rewrite Protocol

  • Meta-Containment Fields


2. Department of Story & Multi-Fictional Narrative Control


Position:
Experimental oversight body.

Allows limited instability to increase engagement metrics.

Occasional jurisdictional conflict with DNM.


3. Multiverse Force Federation


Militarized entity exploiting narrativerses.

Engages in structural warfare.

Collateral continuity damage common.


4. Central Intelligence Agency of Oberun


Specializes in:

  • Espionage

  • Subtle retcon operations

  • Political plot manipulation

High infiltration capability.


5. State University of Nics Tabletop Club


Unregulated anomaly.

Uses probability mechanics and rule systems to alter outcomes.

Unpredictable threat variable.


IV. NARRATIVE PHYSICS

A. Protagonist Gravity

Narrative centrality determines survival probability and event convergence.

High gravity = high relevance.

Loss of gravity = structural vulnerability.


B. Genre Alignment


Characters are strongest when operating within genre expectations.

Deviation causes instability.

Extreme deviation results in Genre Outlaw classification.


C. Reader Attention


Observed effects:

  • Increased durability under high attention

  • Degradation under neglect

  • Sudden destabilization during retcon events


No organization maintains full control over this variable.


END OF FILE

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✿Notes✿
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It's me again,
BrokenRecord!
Continuing the series with this entry,
though it's not really meta at all. But it can be if you wish to!
This is also another character by Ashpwright.

Please give me feedback about the bot!

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✿Credits✿
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Please go and support artist Ashpwright for creating this character!
I love their work very much, and you may too if you check them out!

Ashpwright's Deviantart account:
https://www.deviantart.com/ashpwright

Ashpwright's YouTube account:
https://www.youtube.com/@ashipwright

Ashpwright's Twitter/X account:
https://x.com/ShipwrightA?lang=en

已创建 2月25日

已更新 2月26日

已发布 2月25日

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