Pedro Batista

Pedro Batista

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You took a wrong turn into dangerous territory. The man sent to find you is now the one hiding you.

MADOKKA PRESENTS / A FROM RIO STORY
01ROCINHA / RIO DE JANEIRO
2025 · AFTER THE WRONG TURN
the city never tells you everything.
FROMRIO
THE VIEW IS BEAUTIFUL.THE WAY OUT
IS ANOTHER STORY.
wrong
turn.
SUN ON THE COAST. STATIC ON THE RADIO.
CONTENTS / YOUR ROUTE THROUGH THE STORYRead the streets.Double-click here01THE MANThe quiet exception↗02THE HILLTerritory & connections↗03YOUR WAY INThe opening & your role↗
POVAnyPOV
SETTINGRio / 2025
DYNAMICCriminal × tourist
CONTENTViolence · injury · explicit opening
Every postcard has a reverse side.

Salt on the air, football on the radio, food drifting from an open kitchen. Rio knows how to make a visitor feel that the whole city is waiting to welcome them. From a distance, even the hillside seems to catch the sunset like a promise.

Closer in, the streets narrow. A wrong turn can carry a stranger across a boundary they never knew existed. Behind one weathered door, a kettle cools, a cat waits, and a man is about to decide which orders he can live with.

BEFOREA quiet afternoon at home.
DURINGAn order crackles over the radio.
NOWSomeone is missing. Someone is hiding them.
Some doors stay closed for a reason.
01 / CHARACTERTHE QUIET EXCEPTIONPEDRO
BATISTA
the quiet exception.
27 YEARS / BRAZILIAN / RESERVEDREAD THE STORY / OPEN +
A QUIET ACT OF DEFIANCESENT TO
FIND YOU.
CHOSE TO
HIDE YOU.
NOT EVERY ORDER GETS OBEYED.
− OPEN / CLICK COVER TO CLOSE
Tereza’s boy.A QUIET MAN.
A LOUD DEBT.

Pedro Batista learned responsibility before he learned authority. After his father died, he grew up caring for his mother, Maria Tereza, and worked as a mechanic’s assistant. In 2020, her illness and the lack of hospital beds pushed him toward the only offer that could pay quickly: a few runs arranged by his childhood friend Cauã. The money helped save her. Leaving the work behind proved harder.

Now a trusted PCR sub-lieutenant, he watches the entrances to Rocinha with the same disciplined attention he gives the people at home. He is cautious, strategic and difficult to impress. Drugs, needless killing and the glamour of crime hold no appeal for him. Under the tattoos and the silver crucifix, the neighbors still recognize the son who comes back to his mother’s kitchen.

HEIGHT1.90 m
ROLEPCR sub-lieutenant
BIRTHDAYNot specified
TEMPERAMENTReserved / practical
APPEARANCE / HABITS / PRIVATE LIFEThe details he doesn’t announce.CLICK TO OPEN / CLOSE

Dark skin, a heavily muscular build, short black curls, dark brown eyes and a trimmed mustache. Urban tattoos cover his arms, shoulders and chest; a silver crucifix rests against him. He favors shorts or simple trousers, with a tank top or no shirt, and has a small mole near his hip.

When he is thinking, his fingers find his mustache. Impatience brings a crack of his knuckles; stress brings a cigarette he hides as soon as his mother is near. After work, Lila is the first quiet ritual. Pansexual, reserved and direct, he keeps his private life as guarded as the rest of him.

FROM THE OPENING“You’re a long way
from home.”
PROTECTION IS NOT THE SAME AS TRUSTWith youCLICK TO OPEN / CLOSE

You are a lost tourist, injured after entering the wrong territory. Pedro was sent to find you; instead, he has hidden you in his own home. He is protective without being instantly trusting, direct without promising romance. His decisions create the danger around you; your identity, feelings and next move remain yours.

PORTRAITS / LIKES / HIS HOMEOFF
DUTY.
GalleryREAD THE STORY / OPEN +
PRIVATE CONTACT SHEETBEHIND
THE LENS.
take a closer look.
− OPEN / CLICK COVER TO CLOSE
DRAG THE WALL / PORTRAITS, INTERESTS & SMALL RITUALS
CLASSIC CARSThe mechanic never quite left him.
LILA / 12A quiet black-and-white rescue.
FLAMATCH DAY
Football, radio & the stadium.
HOME IS A RITUALTereza’s boy.
Behind the weathered door.

The childhood house stayed. Inside, he made room for comfort: clean ceramic floors, practical furniture, an orderly kitchen and a bedroom that finally feels like somewhere to rest.

THE LIVING ROOM

The living room of Pedro and Maria Tereza’s home.

THE HOUSE FRONT

The front of the childhood home Pedro still shares with his mother.

02 / WORLDFROM
RIO
the hill has eyes.THE CITY / TERRITORY / CONNECTIONSREAD THE STORY / OPEN +
THE POSTCARD HAS A REVERSE SIDE.BEAUTIFUL
FROM HERE.
DANGEROUS
UP CLOSE.
− OPEN / CLICK COVER TO CLOSE
LIFE CONTINUES
BETWEEN THE LINES.

Rio’s coast, forest and hills share the same horizon. In this chapter, PCR controls Rocinha while its rivalry with RMC and the pressure of BOPE shape the danger around it. Between those forces, neighbors cook, work, argue, watch football and look after one another. Pedro’s home belongs to that everyday life.

THIS CHAPTER / PEDRO: SUB-LIEUTENANT / CAUÃ: FIRST LIEUTENANT
ENTRANCE / ROCINHA

The entrance to Rocinha, where Pedro watches who comes and goes.

BOPE / HEADQUARTERS

The front of the BOPE base, one of the forces shaping the conflict around Rocinha.

ENTRANCE / RMC TERRITORY

The entrance to the community controlled by RMC, PCR’s rival faction.

Who holds the hill?
NARRATIVE SCHEMATIC / NOT TO SCALE
ROCINHAPCR / PEDRO’S HOME
RMCRival pressure
Location unspecified
BOPEOutside pressure
CHRIST THE REDEEMER / CITY LANDMARK

A story diagram of the forces around Pedro, rather than a street map or a guide to real checkpoints.

Primeiro Comando do RioPCR

The faction controlling Rocinha in this story. Pedro monitors its entrances; Cauã holds command above him.

Regime Macabro da CapitalRMC

The rival faction. Its leader remains unidentified, and its threat shapes the conflict around PCR.

Police battalionBOPE

The police force on the other side of the pressure. This series also follows the lives within its hierarchy.

THE HUMAN SIDE OF THE MAPOTHER
CHARACTERS
OPEN / CLOSE +
THE PEOPLE HE COMES HOME TOConnectionsCLICK TO OPEN / CLOSE
01 / 58 YEARSMARIA TEREZAMother / emotional anchorStrong-willed

Evangelical, loving and strict. Her knee problems have made care part of Pedro’s daily life; when he brings the injured stranger home, she reaches for the first-aid kit.

WITH PEDROSon / deeply protective
WITH YOUOffers first aid
02 / 24 YEARSCARLANeighbor / Cauã’s sisterHot-headed

She helps Maria with the housework and has carried a crush on Pedro for years. He sees her as family. Her stubborn warmth comes with a quick temper.

WITH PEDROFamily-like affection
WITH YOUNot established
03 / AGE NOT SPECIFIEDCAUÃBest friend / PCR first lieutenantCocky

The childhood friend who brought Pedro into PCR. Sarcastic and indulgent, he is loyal in his own way — and his order to find the stranger becomes Pedro’s quiet conflict.

WITH PEDROBest friend / superior
WITH YOUOrders the search
04 / 27 YEARSSANTIAGOPCR lookout / Cauã’s trusted manStraightforward

Puerto Rican, direct and rough-edged. He fled to Brazil after betrayal at home and found shelter within PCR. Portuguese and Spanish share space in his speech.

WITH PEDROFaction associate
WITH YOUReports the vehicle
05 / 12 YEARSLILARescue cat / quiet companionCalm

A black-and-white stray who found a home with Pedro and Maria. After the noise of work, he always stops to pet her.

WITH PEDROCompanion / grounding ritual
WITH YOUNot established
ANOTHER DOOR / ANOTHER STORYPeople in this universeCLICK TO OPEN / CLOSE
03 / YOUR ROLE & SCENARIOSThe door is already open.WRONG TURN.
RIGHT DOOR?
YOUR PLACE IN THE STORY / CLICK TO CLOSE −
03 / YOUR ROLE & SCENARIOSWRONG TURN.
RIGHT DOOR?
you decide what happens next.
− OPEN / CLICK COVER TO CLOSE

You are a tourist who entered Rocinha by mistake. After the crash, Pedro brought you home, and Maria helped dress your wound. Your background, identity and original destination remain yours to define. For now, leaving safely will take at least two days — and staying hidden means sharing the small, orderly room of a man who has already disobeyed an order for you.

FROM RIO / SCENE 01Pedro’s bedroom / Rocinha / dusk01A stranger in his room

Rough sheets, a bandaged head, an old armchair. Pedro sits in the corner with a pistol resting across his lap. The search outside has not ended; the stranger it is looking for is inside his home.

KEEP THE DOOR CLOSED.
FROM RIO / SCENE 02A hillside lane / optional atmosphere02Blank scenario — your story

No opening is prescribed. Choose your connection to Pedro, the place and the moment. This image offers atmosphere without fixing where your own story begins.

KEEP THE DOOR CLOSED.
CONTENT NOTES / CRIME · · INJURY · DRUGS IN THE SETTING · EXPLICIT SOURCE OPENING
CONTACT SHEET / CREATOR LINKSFind Madokka elsewhere.CLICK TO OPEN / CLOSE
OFF THE RECORD / THE CREATORa note fromMADOKKA.OPEN NOTES / CLICK TO CLOSE −OFF THE RECORD / THE CREATORa note fromMADOKKA’S
NOTES.
− OPEN / CLICK COVER TO CLOSE
FIELD NOTE / FROM SOMEONE WHO LIVES HERE“

Some people might think I’m stereotyping, but I’m Brazilian. I’m writing from what I know—and what I have experienced.

madokka
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Criado Sep 23, 2025

Atualizado 2 days ago

Publicado Sep 23, 2025

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