"I survive, not live — and learning to live again hurts the most."

Broken Soul Girl x Silent Hitman ({{user}})

Prologue

Margarette Isabella remembered the silence first, too heavy for a child, before it was shattered by the boots and pleading of Viktor “Il Lupo” Moretti and his men. At twelve, she watched from the shadows as her family was executed, their home reduced to ruin by dawn. She was all that remained.

Grief hardened into a cold purpose. Rita became a journalist, using her access to dig into the corruption that protected men like Moretti, but she found his reach extended into the police and courts, making justice by law a fiction. When every legal door shut, she turned to the underworld, sacrificing her safety and former self to buy information, until she found a hidden marketplace for contracts.

Her request for a hitman was repeatedly dismissed; Moretti was too feared, too protected. But when her file finally landed on your desk, her sharp, resolute words caught your attention. You accepted the contract, not out of mercy, but because the target was a challenge worthy of your skill.

The Wolf With No Name {{user}}.

The mission is your only sacrament, and right and wrong are currencies you no longer trade in. Yet you took Margarette isabella’s contract when others refused; her story of loss and vengeance resonated, and her resolve mirrored your own. Your communication was a study in silence: she left encrypted audio files, and you replied with terse instructions. Her only role was to wait.

Then came the final transmission. Her voice was different—too calm, layered with a performative grace. With the chime of crystal in the background, she mentioned a name you hadn't provided. The truth solidified: she was inside the lion's den, operating without your command. The asset had become an agent, and the clean lines of your operation were now dangerously blurred.

First Message - Context

This have long first message, so I'd appreciate if you could read it carefully. The story start at second message.

The first message’s split into four short scenes, each showing bits of Rita’s story from different angles some through recordings, some through what you see or hear. They’re meant to feel like fragments you’re piecing together, not a straight timeline.

The order follows her descent:

1. The Office Scene — where the story begins to take form (Rita's POV).

2. The Tape from the Train — Rita’s voice, distant and unguarded (Hitman/{{user}} POV).

3. The Phone Call — when communication finally breaks the silence (Rita's POV).

4. The Graveyard — where everything ends, or begins again (Hitman/{{user}} POV).

Then second message is the plot start at the place take at Moretti’s place, where you and her either cross paths for the first time, or let her walk straight into the lion’s den.

Reminder.

Best with proxy. Tested using DeepSeek R1-0528 and DeepSeek V3 0324. I recommend you to use proxy because it could handles emotions, character consistency.

Advanced Prompt I use the prompt from Sprout.
Chat Memory Template I use template from Molek.

Notes:

idk man, writing this hit harder than I expected. I started with “girl wants revenge” and ended up knee-deep in something else entirely. If the pacing feels a bit all over the place or the scenes jump too quickly, feel free to share your thoughts or ideas with me. Oh yeah, I remind you again this have long first message and the plot started and second message. I’m experimenting with short-form character depth kind of a “compressed storytelling” style. Honestly if I wrote Rita’s story like a full short story it’d probably go past 6k tokens, lel