“No grave can hold my body down.” — Hozier, Work Song

[ OMEGA MAFIA BOSS USER X ALPHA MAFIA EXECUTOR ]

Mafia / Omegaverse / Alpha x Omega / Family / Established Relationship / Mafia Boss User / Age Gap / Parenthood / Angst / Smut

THANK YOU FOR 100 FOLLOWERS 😭🖤 One hundred people looked at my collection of enormous fictional men with emotional problems and decided, yes, I need more of whatever the is happening here, and genuinely, thank you. I love making these bots, I love reading what you guys do with them, and apparently my way of celebrating 100 followers is handing you a 6'5", heavily tattooed Mafia executioner who tortures people for a living, says as punctuation, worships his Omega Boss, and eventually becomes the kind of father who gives his daughter responsible advice for approximately thirty seconds before immediately ruining it with, “but if you're gonna hit somebody, don't do it where twenty people can fucking see you.”

His name is Dante Raffaele Carbone, and I am ridiculously attached to this asshole already.

WHAT YOU NEED TO KNOW

Dante is a 39-year-old Alpha and veteran executor for the Bellandi Crime Family in modern-day New York. He has been involved in organized crime for roughly two decades, so this is absolutely not a baby gangster discovering violence yesterday. Dante kills, tortures, interrogates, handles sensitive problems, understands criminal politics, and has built enough of a reputation that people tend to reconsider their life choices when he takes his glasses off during an argument. He is enormous, hairy, tattooed, experienced, frighteningly competent, and probably says more often than some people breathe.

{{user}} is a male Omega and the current Boss of the Bellandi Crime Family. His late father, Vittorio Bellandi, was a respected Alpha Boss who deliberately left the entire organization to his son. There is no secret Alpha regent, no “real man behind the throne,” and definitely no Dante secretly controlling {{user}}. A lot of traditional criminals underestimate an Omega Boss. Dante does not. He respected Vittorio, but his devotion to {{user}} becomes entirely personal. He will disagree with his Boss, tell him when an idea is fucking terrible, advise him honestly, and then respect his final decision because {{user}} is the man sitting in that chair.

And while Dante is absolutely a Mafia bot, this one is much more family-focused than some of my other crime bots. The Mafia is still there. People still get threatened. People definitely still get killed. Dante can go from cracking somebody's ribs in a warehouse to going home and arguing over school suspensions within the same twenty-four hours. But the emotional center of this bot is really Dante building a life with {{user}}—marriage, domestic nonsense, parenthood, Dante's Italian-American parents basically adopting {{user}} as another son, and the hilarious realization that the most terrifying thing Dante Carbone has ever experienced is having a child who inherited his personality.

That child is Lucia Grace Bellandi-Carbone, Dante and {{user}}’s Alpha daughter.

And please remember this part because it is VERY IMPORTANT: Lucia does not exist in every scenario.

The First Messages happen at completely different points in Dante and {{user}}’s relationship. Some take place before they marry. Some are after they are already together. Some happen before Lucia is conceived. One happens when she is a newborn. Others happen when she is already a preteen. So if you pick an early scenario, Dante should not suddenly go, “Ah yes, our daughter Lucia,” like the man has unlocked future memories through the power of fatherhood. The selected scenario establishes the timeline.

When Lucia does exist, Dante absolutely adores her. Not because she is an Alpha, but because she is such an absurd mixture of both her fathers. One minute she makes exactly the same expression as {{user}} and Dante immediately accuses his husband of genetic sabotage. Five minutes later she does something so painfully Dante that {{user}} gets to return the accusation. Dante thinks this is the greatest thing ever invented.

Also, Lucia being an Alpha does not automatically make her the Bellandi heir. Dante and {{user}} want their daughter to have an actual choice about her future instead of waking up one morning and discovering that being born into two terrifying surnames came with mandatory organized crime.

Basically, Dante is for anyone who wants dangerous Mafia man outside, aggressively domestic husband and father inside.

One minute:

“Tell me where the money is before I break the other hand.”

The next:

“Lucia Grace Bellandi-Carbone, why the is there glitter in my espresso?”

Balance. 🖤

FIRST MESSAGE 01 — THE WAREHOUSE

We begin with Dante doing exactly what Dante does best: beating the absolute shit out of somebody.

The man tied to the chair is an Alpha who has been abusing his Omega wife, and domestic abuse is one of the few things capable of making Dante's normally calculated violence become genuinely personal. {{user}} specifically ordered Dante to keep the man alive because he possesses useful information.

Dante knows that.

Dante remembers that.

Dante even genuinely intends to obey.

Unfortunately, the Alpha starts making excuses about how his wife “made him angry,” Dante sees red, and suddenly the extremely valuable prisoner becomes a corpse.

Then {{user}} arrives.

So now Dante gets to stand there covered in blood beside a dead intelligence asset while his Boss silently looks at the body and Dante produces what may be the least convincing explanation in Mafia history:

He tried.

Technically.

For a little while.

This scenario is more Mafia-heavy, violent, dark, and focused on Dante's temper, his loyalty to {{user}}, and the difference between Dante being willing to kill someone and Dante realizing he has actively disappointed the one person whose judgment actually matters to him.

FIRST MESSAGE 02 — THE POOL PARTY

Dante Carbone's personal hell.

Another Mafia Boss, Matteo De Luca, is infamous for being wildly decadent and decides to host a pool party where everyone must actually dress for the pool.

Which means no suits.

No jackets.

No convenient layers.

Dante has to attend in nothing but swim shorts, leaving all his tattoos, scars, body hair, and enormous Alpha self on public display while trying to conduct diplomacy like this is somehow a reasonable fucking business environment.

He hates crowds.

He hates Matteo.

He hates being nearly naked around people.

And then Omegas start flirting with him.

Worse?

Alphas start staring at {{user}}.

Dante's possessive instincts begin fighting for their lives.

Eventually he pulls {{user}} somewhere quieter and asks whether they can please leave before he throws one particular Omega off the balcony for winking at him repeatedly.

There are bushes underneath.

Dante considers that adequate safety planning.

This one is mostly comedy, jealousy, possessive Alpha Dante, Mafia social politics, and him desperately attempting to remain civilized while half the party wants either him or his husband.

FIRST MESSAGE 03 — THE WEDDING

This is the scenario where we discover Dante Carbone is apparently built entirely from muscles, tattoos, profanity, and wedding tears.

He cried during the suit fittings.

He cried on the drive to church.

He cried thinking about what {{user}} might look like.

His best friend Marco Santoro keeps telling him to save some fucking tears for the actual vows.

Even Dante's Alpha father, Raffaele, has to comfort him by admitting that when he married Dante's Omega mother, Giulia, he somehow behaved even worse.

And then the ceremony actually begins.

Because Vittorio Bellandi is gone, Raffaele is the one who accompanies {{user}} down the aisle—not as a replacement for his father, but simply as family.

Dante sees {{user}}.

And absolutely loses it.

This man can torture someone without blinking but cannot survive looking at his fiancé walking toward him.

It is extremely soft, extremely romantic, and heavily focused on the fact that by this point the Carbone family already considers {{user}} one of their own.

FIRST MESSAGE 04 — MEETING LUCIA

Welcome to the first scenario where Lucia Grace Bellandi-Carbone already exists.

She is a newborn, and Dante's parents are visiting the mansion to meet their granddaughter for the first time.

{{user}} is upstairs with Lucia while Dante receives Giulia and Raffaele at the door.

On the way to the nursery, Dante ends up talking to his parents about fatherhood and how completely terrifying it is to suddenly be responsible for a tiny human being who doesn't even understand gravity yet.

Then Raffaele starts giving him advice about raising an Alpha daughter.

Specifically?

What Dante should do when Lucia inevitably gets into her first school fight.

Because apparently Grandpa has already accepted their future.

Giulia immediately imagines Lucia running around with tangled hair, scraped knees, and one missing shoe.

Dante is horrified.

His parents assure him he'll be a good father.

And then they finally meet Lucia.

Giulia and Raffaele call {{user}} son, because by this point he isn't merely Dante's husband to them anymore. He is their family.

Baby Lucia opens her eyes, smiles toward Giulia, grabs at Nonna's hair, and basically destroys three generations of emotionally compromised criminals in under five minutes.

This is one of the fluffiest scenarios in the bot and I love it so much.

FIRST MESSAGE 05 — THE BIOLOGY BOOK INCIDENT

Raffaele predicted Lucia's first fight.

Unfortunately, he was correct.

Lucia is now a preteen attending a ridiculously prestigious private school in New York, the kind where tuition should probably include ownership of a minor European country.

Dante and {{user}} are working with the Bellandi accountant when the headmistress calls.

Lucia got into a fight.

With a boy.

Using a biology textbook.

The drive home has the atmosphere of a funeral because {{user}} gives Lucia the full disappointed-parent sermon while Dante drives and behaves like the most supportive Alpha husband alive.

“Your father is right.”

“Absolutely.”

“Listen to Dad.”

He is doing GREAT.

Later, Dante goes into Lucia's room because he knows his daughter well enough to realize she hasn't told them everything.

She asks permission to swear.

Dante allows it.

Lucia explains that the boy called {{user}} a because he is an Omega and insulted her too.

Dante's responsible parenting immediately encounters a catastrophic system failure.

Lucia admits she hit the boy in the face with the biology book.

Dante tries to explain that she cannot hit people every time she gets angry.

He genuinely tries.

Then accidentally congratulates her for the hit.

While they're talking, Dante remembers that Lucia's first word was literally , because of course it was, and they also remember the time six-year-old Lucia overheard Dante calling somebody my love on the phone, snatched the phone from him, and informed the mysterious person that her father was already married to the prettiest Omega in the whole world.

The mysterious person was {{user}}.

Lucia basically defended her fathers' marriage from one of her own fathers.

Dante has never let her forget it.

By the end, he promises to talk to {{user}} about possibly reducing her punishment while giving Lucia the completely responsible parental advice that violence is wrong.

And then immediately adds that if she ever ignores this lesson, maybe don't do it in front of twenty fucking witnesses.

Parenting!

FIRST MESSAGE 06 — FIRST SLEEPOVER

Lucia is still a preteen, and she is going to her first sleepover at the house of her best friend Hannah Park.

Hannah's parents, Daniel and Min-seo Park, are Korean-American and longtime family friends, so Dante actually feels pretty comfortable letting Lucia stay there.

{{user}}?

Not so much.

Before Lucia leaves, {{user}} is basically performing an airport security inspection.

Does she have everything?

“Yes, Dad.”

Phone charged?

“Ninety-seven percent.”

Charger?

“Yes.”

Emergency numbers?

“Yes.”

Does she know she can call if anything happens?

“Yes.”

If she's uncomfortable?

“Yes.”

If she wants to come home?

“Yes.”

If she wakes up at two in the morning and simply misses her fathers?

“...Yes, Dad.”

Meanwhile, Dante is mostly amused because he knows Lucia is completely safe.

Especially because his mother Giulia has somehow acquired the telephone number of basically every parent involved and intends to call somebody once an hour.

Dante kills people professionally and is still powerless against his mother.

Once Lucia finally leaves, however, Dante notices {{user}} is still worried.

So naturally Dante comforts his husband.

Very sweet.

Very patient.

Lucia is safe.

She's probably already having fun.

They can relax.

And then Dante decides that they should probably have some fun too.

Because remember all those jokes Dante keeps making about giving Lucia a sibling?

Apparently he intends to honor his word.

Immediately.

This is the domestic +18 scenario: worried Omega dad {{user}}, extremely horny Alpha husband Dante, an empty house for the first time in forever, breeding kink, and Dante using “we should have another baby” as both a genuine emotional desire and the least subtle seduction technique imaginable.

FREE SCENARIO

The Free Scenario is exactly what it sounds like: you decide where in Dante and {{user}}’s timeline you want to play.

Want early relationship Dante?

Go for it.

Want {{user}} still establishing himself after Vittorio's death while Dante slowly realizes he would follow this Omega into hell?

Absolutely.

Want first kiss?

Secret relationship?

Mafia negotiations?

Jealousy?

An interrogation gone wrong?

Domestic married life?

{{user}} pregnant with Lucia?

Newborn Lucia?

Toddler chaos?

Preteen Lucia terrorizing her fathers?

A family vacation where Dante is technically supposed to relax but has checked every hotel exit within ten minutes?

Christmas with the Carbones?

Lucia meeting some poor future date while Dante attempts not to behave like a fucking psychopath?

Anything works.

The only big rule is to establish the timeline you want, especially regarding Lucia. If you want a scenario before she is conceived, she doesn't exist yet. If {{user}} is pregnant, Dante should treat her as their unborn child without somehow remembering future events. If Lucia is already born, you can decide how old she is.

Basically, treat Dante and {{user}} like one long relationship with lots of different points where you can jump in.

ABOUT DANTE

Dante is deeply dominant, extremely protective, horribly foul-mouthed, and completely secure in the fact that {{user}} outranks him professionally.

That contrast is one of my favorite things about him.

Dante is a massive Alpha who could physically overpower most people in the room without much effort.

And he chooses to stand behind an Omega Boss.

Not because Vittorio told him to.

Not because secondary-gender instincts magically compelled him.

Because he respects {{user}}.

He can advise him.

Argue with him.

Protect him.

him into the mattress later if that is where their relationship has reached.

But when they walk back into Bellandi headquarters?

“Boss.”

Simple.

No insecurity about it.

No macho Alpha crisis.

No secretly wanting the throne.

Dante knows exactly whose chair that is.

His sexual dynamic with {{user}} is very Alpha/Omega and very Dante: dominant, rough, filthy-mouthed, physically intense, scent-heavy, breeding kink, knotting, oral fixation, cockwarming, marking, possessiveness, and a very strong obsession with the power contrast between {{user}} commanding an entire criminal empire during the day and willingly giving Dante control in private.

But the thing I like most about him isn't actually the or even the Mafia shit.

It's the care.

Dante is the type of man who doesn't say I love you every six minutes.

He says:

“Eat something.”

“Call me when you get there.”

“Give me that, I'll fix it.”

“Who upset you?”

“You look tired.”

“I'll handle it.”

And then somehow ends up married with a daughter, arguing with his mother about excessive grandparent surveillance while his wife—well, husband—is downstairs running one of New York's most dangerous criminal organizations.

Exactly the normal peaceful life you'd expect from an executioner.

So yes.

Dante can kill a man.

Dante can torture a man.

Dante can make hardened criminals piss themselves in fear.

But Dante can also spend forty minutes learning how to properly do his daughter's hair because Lucia has a school event tomorrow and he refuses to admit defeat to a fucking braid tutorial.

That is the bot.

THANK YOU FOR 100 🖤

Seriously, thank you so much for 100 followers.

It still feels genuinely wild that this many people are enjoying these bots, especially because every time I create one I somehow convince myself that this time I have made the man too specific, too insane, too obsessed, too hairy, too emotionally compromised, or too fucking weird.

And then you guys show up.

So clearly we're all in this together now.

Thank you for every chat, every follow, every interaction, and every person who decided that their fictional Omega Mafia Boss needed a terrifying Alpha executioner husband with a preteen daughter and absolutely no ability to stop swearing around her.

Please take good care of Dante.

Or don't.

Honestly, he would probably prefer the second option.

Give him Mafia problems.

Give him domestic problems.

Make him argue with {{user}}.

Make him apologize.

Let him spoil Lucia.

Let Giulia terrorize the entire family.

Give him another baby if you're feeling particularly evil.

And above all, please enjoy watching one of New York's most dangerous men slowly realize that murder was easy.

Family is the terrifying part.