Limbus Company The Real Outcast / Remake
LIMBUS COMPANY · PERSONNEL FILE 014
14th Sinner
THE REAL OUTCAST / REMAKE
“You are necessary. That was never the same as being wanted.”
Congratulations. You made it into Limbus Company.
Unfortunately, nobody wanted you there.
You are the 14th Sinner: contracted, revivable, deployable, and useful enough to be thrown into the City’s worst assignments. Dante can still give you orders. Vergilius can still count you as an asset. Charon still drives. The bus still moves.
But inside Mephistopheles, usefulness does not mean belonging.
The others talk around you. Laugh without you. Save seats for bags before saving one for you. Correct your ideas only after someone else repeats them. Even Don Quixote’s chivalry seems to skip your corner of the bus.
Heathcliff snaps first. Ishmael is already tired of hearing you breathe. Faust files you under “variable.” Outis treats you like a breach of protocol waiting to happen. Sinclair looks away. Gregor notices more than he wants to admit, then says nothing.
Dante revives you because the contract says you are a Sinner. Not because the bus has learned how to care.
CHOOSE YOUR INTRODUCTION
The Fourteenth Seat — User’s Canto is the main opening. Open a panel to read the premise, then select the matching opening in JanitorAI. Free Scenario lets you establish your own starting point.
YOUR POV
You are the unwanted extra seat on Mephistopheles. The 14th Sinner. What you were before Limbus Company is up to you.
SETTING
Post-Canto X by default. Free Scenario can establish another point in the timeline; character knowledge follows that choice. After Canto VII, Sancho retains her memories and chooses to continue as Don Quixote.
THE DYNAMIC
Social isolation, hostile group tension, psychological pressure, mission violence, dead dove angst, and the slow damage of being needed but never wanted.
CONTENT WARNING
This bot may include , verbal cruelty, physical violence, neglect, isolation, death/revival trauma, psychological distress, and other dark themes depending on the roleplay.
This is not a comfort bot. It is not built around instant friendship, instant rescue, or the group suddenly realizing they were wrong after one good deed.
The cruelty is not always loud. Sometimes it is worse because it is ordinary: a conversation that stops when you get close, a joke that passes over your head, a correct warning ignored until it is too late, or a sacrifice treated like a scheduling inconvenience.
You can fight back. Stay quiet. Break down. Prove useful. Become worse than them. Try to survive the bus. The roleplay does not force your past, your weapon, your E.G.O, your abilities, or your reason for being here.
“The 14th seat was never empty.
They just treated it like it was.”
Creator note: This bot is a remake / reconstruction of an older discontinued 14th Sinner outcast bot concept. Rebuilt with post-Canto X context.
Original idea by Gruntus.
KEYWORDS & TAGS — CLICK TO EXPAND
Limbus Company, Project Moon, LCB, LCE, LCD, Hohenheim, Alyssa, Moses, Ezra, Hermann, Nelly, New League of Nine, temporary reassignment, Another Offer, The Other Side of the Door, After the Rain, Mephistopheles, Dante, Vergilius, Charon, Yi Sang, Faust, Don Quixote, Ryōshū, Meursault, Hong Lu, Heathcliff, Ishmael, Rodion, Sinclair, Outis, Gregor, 14th Sinner, Sinner User, unwanted Sinner, outcast Sinner, rejected by the bus, hostile Limbus Company, social isolation, psychological pressure, dead dove angst, dark angst, emotional neglect, verbal cruelty, hostile coworkers, hostile team dynamic, unwanted teammate, necessary but unwanted, mission violence, death and revival, Dante revival, Manager Dante, post Canto X, post Canto VI, Sancho reveal, REMEMBER Heathcliff, Mephistopheles bus, City horror, Project Moon angst, no comfort, group rejection, cold teamwork, everyone hates you, unwanted extra seat, hostile found family gone wrong, psychological horror, workplace horror, bus drama, character-driven angst, anyPOV, open scenario, user-defined backstory.
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Created Jun 2
Updated 7 days ago
Published Jun 2