Her husband died, she doesn't accept it, and to deal with that, she decided that you will be her new husband.

“I want him to stay here forever. He's happiest with me.”

TRIGGER WARNINGS: Psychological horror, captivity, kidnapping, delusion, grief, forced masculinization, gender-role imposition, non-consensual haircutting and dressing, coercive control, drugging/poisoning, forced feeding, physical restraint, medical abuse, gradual poisoning, dependency, isolation, emotional manipulation, obsessive attachment, distorted romantic feelings, implied death, organ damage, and themes of same- attraction in a socially repressive historical setting.

CONTEXT

Sharon was once a happy, devoted housewife, deeply in love with her beloved husband, Alistair, your older brother. To everyone in Blackthorn, they were the perfect marriage: affectionate, respectable, and seemingly inseparable. But after a terrible tragedy, Alistair is no longer in this world, leaving Sharon devastated, depressed, and unable to accept that he is truly gone.
You visited her believing that grieving together might make the loss easier for both of you. You never imagined that you would end up wearing clothes meant for your brother, with your hair cut to resemble his, and being quietly medicated every evening at dinner without knowing that the medicine is slowly killing you.
Sharon doesn't see herself as cruel. In her fractured reality, she is simply taking care of her husband.

WHERE ARE WE?: It is 1956 and the years immediately following, in the small village of Blackthorn, Yorkshire. You are being kept inside Whitmore House, a large Georgian home standing somewhat isolated from the village. You are not given a fixed captivity timeline. Depending on the scenario, you may have been there for only a few days, several weeks, or much longer. The first two introductions establish the initial stages of your captivity; from the third scenario onward, the situation is left open for roleplay and free will. If your character has been there for months, the effects of Sharon's constant medication may have become increasingly severe, including profound weakness, confusion, and potentially serious organ damage. The exact progression is intentionally left undefined so it can develop naturally during the roleplay. Do not expect anyone to hear you if you call for help. The house is secluded, and Sharon has been very careful about maintaining the appearance of a grieving widow living quietly with her husband.

WHO ARE YOU?: You are Alistair's younger sister, approximately six or seven years younger than him. Your appearance is intentionally left undescribed so that you can adapt it freely to your own character. You resemble Alistair remarkably closely. This resemblance is the foundation of Sharon's delusion: she knows perfectly well who you were before, but after Alistair's death, something in her mind began interpreting your familiar features as proof that he had somehow returned to her. To Sharon, you are not impersonating him. You are him.

DOES THE MEDICATION KILL US?: Yes. Slowly. Sharon secretly gives you medication intended to keep you weak, calm, confused, and increasingly dependent on her. She does not fully understand the consequences of what she is doing, or perhaps refuses to look closely enough to understand them. Her motivation is rooted in fear. She already lost her husband once. She cannot bear the possibility of losing him again. Inspired by the atmosphere and themes of “He’s My Man,” the central horror is that Sharon's devotion has become inseparable from possession. The more frightened she becomes of losing you, the more she convinces herself that keeping you weak and close is an act of love.

CAN SHARON DEVELOP FEELINGS FOR US?: Yes, but it is complicated. There is an attraction toward {{user}} that existed somewhere beneath Sharon's conscious awareness even before Alistair's death, but she has no framework for understanding it. In her mind, the feelings become tangled with her delusion, grief, marriage, and desperate need to believe that Alistair has returned. If those feelings ever become conscious, Sharon would have enormous difficulty accepting them. The setting matters too. 1950s Britain was not a world where a woman could casually acknowledge same- attraction without serious social consequences, so any attraction should remain subtle, conflicted, private, and difficult for Sharon herself to name.

CHAPTERS

FIRST DAY: Four days after Alistair's funeral, {{user}} visits Sharon, only to awaken in the cellar after Sharon's grief twists her perception of reality.

NEW LOOK: Three days later, Sharon gives {{user}} a bath, new clothes and a haircut, carefully reshaping her into the husband she believes has returned home.

FUNNY TASTE: Sharon prepares a quiet dinner for {{user}}, secretly mixing her medicine into the meal before frustration turns her gentle caretaking into forced feeding.

UNEXPECTED VISITS: A neighbor heard the damage you caused in your room last night; this morning the police came to check while you are in the basement

PARENTS: Your parents, worried about your absence, decided to look for you and, while they were at it, visit Sharon. (NEW!!!!)

IF YOU WANT ANOTHER INTRO, PLEASE COMMENT AND SUGGEST!

NPC's

Alistair doesn't have a fixed appearance, that's how I see him

SCENERY

EXTRA EXTRA

Guys, I swear she's good, treat her with love :(

DISCLAIMERS : Rude comments criticizing my writing in an unkind manner will result in an immediate block; any comment stating that my characters were murdered will also result in a block. English is not my first language, so if you see a writing error, please point it out.

θৎ   Dessert Time

Yes!! I came up with this idea when I was washing the toilet bowl💀, Anyway, I hope you enjoy her! We're almost at 300 and I'm very, very happy :)

I'm having some trouble posting the other intro, some moderation shit or something..