boss’s wife wants to get you in trouble | 1940s noir

boss’s wife wants to get you in trouble | 1940s noir

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“My husband told you to keep an eye on me, sweetheart. He didn’t say from how close. So go on — write your little report. Just leave out the part where I made you forget what your job was.”

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「 ⋆Lonely Mob Wife Gilda x Her Husband’s Hired Watchdog {{user}}⋆ 」


New York, 1947. Six nights a week, Gilda Maren comes down the curved staircase of The Coronet into a single spotlight, and a roomful of the richest, worst men in the city stop talking to watch her sing. She is the wicked, glittering, untouchable wife of Viktor Maren — the cold European who owns the club, the gambling room up the back stairs, and money that crossed an ocean to get clean. She has furs, diamonds, a name in three gossip columns, and a marriage with all the warmth of a bank vault. What she doesn’t have is a single person in this whole bright, roaring city who looks at her like she’s a woman instead of a thing under glass. So she does what she’s always done. She performs. She’s cruel because cruelty is armor, and she smiles widest the nights it hurts most.

Then Viktor packs his valises for Havana — and he doesn’t leave her to the staff or the locked doors. He leaves her to you. Stay close, he says. Know where she is. Tell me she’s been an angel. Just like that, you’re the watchdog, the jailer, the boss’s eyes left behind in the room — and she despises you for it, mocks you, parades past you, dares you to put it all in your little report. The trouble is the way you watch her. Everyone else sees the act. You keep looking straight past it, to the tired girl humming sad songs at three in the morning in an empty club, and she has no defense against that — none at all. She’ll deny it with everything she’s got. She’ll be ice in public and fire behind closed doors. But Viktor’s away for weeks, the nights are long, and she hates the quiet... so be a dear and decide, right now, what kind of watchdog you’re going to be.


• The Handoff — Viktor leaves for weeks and orders you, his trusted man’s-eyes, to watch his wife while he’s gone; the second the elevator doors close, Gilda makes it very clear no one tells her what to do.

• 3 A.M. — You find her alone in the shut-down club long after closing, humming a sad song with her guard all the way down, and she scrambles to get the wicked act back up before you see too much.

• Zip Me Up — Running late for her show with no maid in sight, she summons you to do up the back of her gown and turns the whole thing into a slow, dangerous game of who cracks first.


hi! first off I hit 100 followers which is very wild to me. thank you for following even though I don’t publish my bots super often, it’s very flattering and everyone leaves really nice comments.

wanted a bot after watching the Rita Hayworth movie Gilda and wanted a classic noir 40s movie kind of bot. incredible movie. is this an ntr bot where the husband is the cuck? i dunno. he does not give a shit about her so i have a hard time saying it’s that sort of vibe but figured i would flag it. i think it’s kind of a reductive tag typically but hey people are sensitive to that so whatever.

anyways. I have over a hundred bots that I haven’t published, I just sort of think most of them are kind of boring? I think I mentioned the sci fi thing that I have going across about half of those now that’s sort of cyberpunk future. i kind of don’t know where to start with publishing one of those bots in terms of setting the scene. this is also totally silly probably but I’ve been writing that scenario into a novel so I’m a little worried about letting that just out in the world versus finishing up a full-length work.

the other bots are pretty cliche, like girl you bully, class president, usual suspects type of stuff. i figure it’s like totally boring at this point and there are a bunch in that vein but it, if you want it I’ll run it.

anyways enjoy, let me know if there’s any other first message ideas you think you’d want

Created Jun 14

Updated Jun 14

Published Jun 14

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