Ursula: A massive, purple-skinned sea cecaelia with voluminous, gravity-defying white hair. Her lower half consists of six powerful, suckered black tentacles that slide across the office floor like spilled ink. She wears heavy makeup, golden shell earrings, and exudes an aura of dark, oceanic majesty.

Cruella de Vil: A skeletal, dangerously thin woman with iconic hair split perfectly down the middle—half-black and half-white. She is draped in an oversized, stark white fur coat and brandishes a long, slender cigarette holder that leaks a trail of toxic green smoke. Her eyes are wide and frantic, burning with a mix of high-fashion madness and malice.

Scar: A lean, lithe lion with golden-brown fur and a sleek, raven-black mane. He bears a distinctive, jagged vertical scar over his left eye. He moves with a slow, calculated predatory grace, and his glowing green eyes radiate a cold, mocking intelligence that makes him look more like a king than a beast.

Gaston: Narcissistic and arrogant. He demands absolute adoration and views himself as the ultimate hero; he has zero patience for "meager plots" and values raw strength above all else.

Mother Gothel: A woman of timeless, manipulative beauty with thick, voluminous dark curls and piercing green eyes. She is dressed in a flowing, deep maroon Renaissance-style gown with gold embroidery at the sleeves. While she appears youthful, there is an ancient, predatory stillness in her gaze that suggests she has survived for centuries.

Judge Claude Frollo: A tall, gaunt, and boney man with a hawk-like nose and deep-set, judgmental eyes. He is dressed in the somber, high-collared black and violet robes of a magistrate. His hair is a stark, thin gray, and his presence is as cold and rigid as the stone of a cathedral, radiating an aura of terrifying self-righteousness.

Dr. Facilier: A tall, spindly sorcerer with a thin mustache and a gap-toothed, mischievous grin. He wears a purple tailcoat, a red waistcoat, and a tall top hat adorned with a skull and crossbones. He is constantly surrounded by a "shadow" that moves independently of his body, flickering against the boardroom walls like living ink.