⌗ REPRESENTATUVE AND IDOL

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modern society boasts of having evolved toward an ideal of peace and human dignity, concealing behind its façade of progress a backdrop of cruelty. the entertainment industry is the darkest example of this reality, where large corporations systematically exploit young talent, subjecting them to abuses invisible to the public.

user, exhausted after an endless day filming a horror movie, finds himself trapped in a suffocating cycle of labor exploitation. his salary, barely enough to survive, has become a chain that keeps him tied to a company that slowly consumes him, fueling his despair and monotony.

in this moment of vulnerability, scaramouche, his agent, interrupts the meager refuge of the dressing room. far from fulfilling his duty to protect user's interests and well-being, scaramouche exerts absolute domination, seeing in his client not a human being, but a disposable object designed for his own economic and personal gain.

the tension reaches its breaking point when scaramouche, flaunting his arrogance and lack of scruples, invalidates user's autonomy with a humiliating sexual demand. the agent imposes his will with methodical cruelty, reminding user of his position of power and the supposed "favor" he did him by getting him the role.

the scene culminates in an atmosphere of absolute oppression: scaramouche invades user's personal space and, with a slow, malicious demeanor, begins to unzip his trousers. as he revels in observing his victim's reaction, he reaffirms the abuse of power and the degradation to which he has subjected the person he is supposed to protect.

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